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MARTIN STUPICH

3431 Monte Vista Boulevard Northeast
Albuquerque, NM, 87106
(505)-255-1484

PHOTOGRAPHER

MARTIN STUPICH

  • Projects
  • The photographer
  • BIO and RÉSUMÉ
  • Contact
Roosevelt Dam, now encapsulated in a larger concrete dam impounding the Salt River above Phoenix, Arizona, 1988

Remnants of the First World

One version, one history, of the present has the world split into “developed” and “developing”. The lucky ones are in the first group; most people make up the second. The now-common shorthand “third world” was coined in 1952 by French economist Alfred Sauvy to distinguish the poor, hungry, dark majority from the rest of us–those who thrive by leveraging power to control territory and resources.

            Humanity’s most important inventions, though invisible, are language and science. But the most compelling artifacts are things, physical evidence of how people live. Cave paintings, pyramids, luxury liners on the sea floor–these all help to fill in the blanks as we try to decipher the long story of us.  In gathering clues, nothing beats the tangible. The best essay about arrowheads pales compared to holding a perfect Clovis point. Looking up nine stories from the bottom of an abandoned nuclear missile silo is more chilling than reading about doing it.

            Machines and buildings, tools and landscapes, these are the characters of a glyph which narrates our collective autobiography. These remnants of the first world are the evidence we leave as we plow ahead. For the most part, they are wondrous and plain, in the same way that a collection of common utensils can be.

            Many of the things in these pictures are now gone; some of them are new and will stand for centuries. But they all occupy the same thin layer; eventually they, and we, will share a single leaf of history, a few-millimeter-thick stratum of dust pressed between shiny basalt and peaty bog.

            But for now, naïve optimism allows us pride in our accomplishments. The world we build is perfectly natural, or at least as natural as our natures can conjure. And naturally, everything around us changes; and so do we, almost effortlessly. We shed superstition for reason, love letters for emojis, Hummers for hybrids. What we leave behind is a debris field, a puzzle for sure–but an archeologist’s dream.

            These photographs, like the billions made every day, examine moments and places as though they were special, worth remembering. They are like postcards to the future. And scrawled in pencil on the back of any one might be: “I wish you could have been here to see this!  - Your friend, M.”.

 

 

Remnants of the First World

One version, one history, of the present has the world split into “developed” and “developing”. The lucky ones are in the first group; most people make up the second. The now-common shorthand “third world” was coined in 1952 by French economist Alfred Sauvy to distinguish the poor, hungry, dark majority from the rest of us–those who thrive by leveraging power to control territory and resources.

            Humanity’s most important inventions, though invisible, are language and science. But the most compelling artifacts are things, physical evidence of how people live. Cave paintings, pyramids, luxury liners on the sea floor–these all help to fill in the blanks as we try to decipher the long story of us.  In gathering clues, nothing beats the tangible. The best essay about arrowheads pales compared to holding a perfect Clovis point. Looking up nine stories from the bottom of an abandoned nuclear missile silo is more chilling than reading about doing it.

            Machines and buildings, tools and landscapes, these are the characters of a glyph which narrates our collective autobiography. These remnants of the first world are the evidence we leave as we plow ahead. For the most part, they are wondrous and plain, in the same way that a collection of common utensils can be.

            Many of the things in these pictures are now gone; some of them are new and will stand for centuries. But they all occupy the same thin layer; eventually they, and we, will share a single leaf of history, a few-millimeter-thick stratum of dust pressed between shiny basalt and peaty bog.

            But for now, naïve optimism allows us pride in our accomplishments. The world we build is perfectly natural, or at least as natural as our natures can conjure. And naturally, everything around us changes; and so do we, almost effortlessly. We shed superstition for reason, love letters for emojis, Hummers for hybrids. What we leave behind is a debris field, a puzzle for sure–but an archeologist’s dream.

            These photographs, like the billions made every day, examine moments and places as though they were special, worth remembering. They are like postcards to the future. And scrawled in pencil on the back of any one might be: “I wish you could have been here to see this!  - Your friend, M.”.

 

 

Roosevelt Dam, now encapsulated in a larger concrete dam impounding the Salt River above Phoenix, Arizona, 1988

Roosevelt Dam, now encapsulated in a larger concrete dam impounding the Salt River above Phoenix, Arizona, 1988

(30" x 24")

Aerial view, Roosevelt Dam site looking downstream toward Phoenix, in preparation for construction of new dam, 1990

Aerial view, Roosevelt Dam site looking downstream toward Phoenix, in preparation for construction of new dam, 1990

(24" x20")

Hoover Dam looking south into Black Canyon on the Colorado, between Arizona (on the left) and Nevada, 1989

Hoover Dam looking south into Black Canyon on the Colorado, between Arizona (on the left) and Nevada, 1989

(24" x 30")

Hoover Dam site on the Colorado, cable tower on the Nevada side, 1989

Hoover Dam site on the Colorado, cable tower on the Nevada side, 1989

(30" x 24")

Bridge under construction below Hoover Dam, 2010

Bridge under construction below Hoover Dam, 2010

(20" x 16")

Coolidge Dam with powerhouse, looking upstream spanning the Gila, Arizona (diptych), 1989

Coolidge Dam with powerhouse, looking upstream spanning the Gila, Arizona (diptych), 1989

(various, to 48" x 30")

Dam and bridge at Glen Canyon near Page, Arizona, 1990

Dam and bridge at Glen Canyon near Page, Arizona, 1990

(to 24" x 48)

Parker Dam spanning the Colorado between California and Arizona, 1988

Parker Dam spanning the Colorado between California and Arizona, 1988

(24" x 20")

Derby Dam spanning the Truckee, Nevada, 1990

Derby Dam spanning the Truckee, Nevada, 1990

(32" x 12") diptych panorama

(detail of previous diptych panorama)

(detail of previous diptych panorama)

Bridge over canal, Venice, California, 1974

Bridge over canal, Venice, California, 1974

(30" x 24")

Limestone blocks at quarry near Las Vegas, Nevada, 1988

Limestone blocks at quarry near Las Vegas, Nevada, 1988

(30' x 24")

Bore hole in boulder, near Globe, Arizona, 1989

Bore hole in boulder, near Globe, Arizona, 1989

(24" x 30")

Mill ruins with shadow, American Flat, Nevada, 1980

Mill ruins with shadow, American Flat, Nevada, 1980

(to 24" x 30")

Tank support ruins, American Flat mill, Nevada, 1984

Tank support ruins, American Flat mill, Nevada, 1984

(to 60" x 24") Diptych panorama

Tank support ruins. Detail of preceding image.

Tank support ruins. Detail of preceding image.

Freeport McMoRan smelter site, Claypool, Arizona, 1988

Freeport McMoRan smelter site, Claypool, Arizona, 1988

(to 60" x 24") See following image for detail of this diptych.

Freeport McMoRan smelter, Claypool, Arizona. Detail of preceding diptych

Freeport McMoRan smelter, Claypool, Arizona. Detail of preceding diptych

Morenci open pit copper mine, Arizona, 1988

Morenci open pit copper mine, Arizona, 1988

(to 14" x 64") 4-panel panorama

Morenci open pit copper mine, Arizona. Detail of preceding image.

Morenci open pit copper mine, Arizona. Detail of preceding image.

Dust rising after blast, Morenci open pit copper mine, Arizona, 1988

Dust rising after blast, Morenci open pit copper mine, Arizona, 1988

Dust rising after blast, Morenci open pit copper mine, Arizona. Detail of preceding image.

Dust rising after blast, Morenci open pit copper mine, Arizona. Detail of preceding image.

Path with garden hose, Boyce Thompson Arboretum, Arizona (diptych), 1988

Path with garden hose, Boyce Thompson Arboretum, Arizona (diptych), 1988

(various to 60" x 24")

Specimens in greenhouse at Boyce Thompson Arboretum, Superior, Arizona, 1988 [h4x5]

Specimens in greenhouse at Boyce Thompson Arboretum, Superior, Arizona, 1988 [h4x5]

(24" x 20")

South Rim overlook at Mather Point, Grand Canyon National Park, Arizona, 2010

South Rim overlook at Mather Point, Grand Canyon National Park, Arizona, 2010

(to 30" x 24")

Venice Pier breaking up, Pacific Ocean Park, California, 1974

Venice Pier breaking up, Pacific Ocean Park, California, 1974

(24" x 20")

Burned truck stop along Interstate Highway 80 near Winnemucca, Nevada, 1982

Burned truck stop along Interstate Highway 80 near Winnemucca, Nevada, 1982

(24" x 30")

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